Good music, but not good enough, feels Aelina Kapoor.
All seems to be well with All Is Well. The film has taken its own time to reach the finishing line but fortunately for it, the music is doing some good talking, says Aelina Kapoor.
Hate Story 3 engages you right through its four songs, writes Aelina Kapoor.
Lots of love songs in the horror movie, 1920 London, writes Aelina Kapoor.
Rock Tha Party is the only song that *really* rocks the party, feels Aelina Kapoor.
The Jaanisaar soundtrack is worth a listen but it may not be everyone's cup of tea, writes Aelina Kapoor.
The pick of the four songs are Lalla Lalla Lori and Boat Ma Kukdookoo, which at least go well with the fun flavour of the film
The music of 2016's Baaghi may be nowhere close to the blockbuster soundtrack that had been delivered by Anand-Milind for Salman Khan's namesake film, feels Aelina Kapoor.
Emraan Hashmi-starrer Azhar has some feelgood songs, writes Aelina Kapoor.
Have a party at home? Aelina Kapoor recommends the Loveshhuda soundtrack.
You may not have a chart-buster soundtrack in Hamari Adhuri Kahani but the songs grow on you, writes Aelina Kapoor.
Some songs off the Gabbar Is Back album will keep you hooked.
Sanam Teri Kasam is a good soundtrack, promises Aelina Kapoor.
Wazir has some good songs but they will not be memorable, feels Aelina Kapoor.
Much more was expected from the soundtrack of Katti Batti, writes Aelina Kapoor.
The music of Brothers does not have blockbuster appeal. But the soundtrack will flow well with the narrative, writes Aelina Kapoor.
Bangistan has unconventional music but it doesn't impress, says Aelina Kapoor.
The music of Wedding Pullav isn't exceptional but it seems to go well with the story, says Aelina Kapoor.
Starting from a chartbuster song despite its below-the-belt essence and ending with a forgettable number, Bhaag Johnny demonstrates quite some range, says Aelina Kapoor.
There is no 'remix version' for any of the songs, as the music deserves to be heard unadulterated.
The amazing Hero soundtrack makes sure that you give most of the songs a repeat hearing, says Aelina Kapoor.
The composers of Kis Kisko Pyaar Karoon know its audience well, says Aelina Kapoor.
The music of Prem Ratan Dhan Payo is well done, and seems to be exactly what the filmmaker ordered, writes Aelina Kapoor.
The music of Main Aur Charles may not burn the charts, but it it should go well with the film's narrative, says Aelina Kapoor.
It is a tough task to put together a theme-based soundtrack for a film and make it interesting and entertaining enough to find an audience. Amit Trivedi and Shellee make it happen with Udta Punjab, writes Aelina Kapoor
Ishq Forever is an ordinary soundtrack by Nadeem Saifee and one expected a lot more from him.
The Welcome Back soundtrack keeps the fun element intact, says Aelina Kapoor.
Kuch Kuch Locha Hai music tapers down at the end but on the strength of its first few numbers, it manages to stay afloat.
Those who want their Bollywood music to have a dash of the 1990s will lap up the Junooniyat album with glee.
A lot of qawalli and romance in Bajirao Mastani's soundtrack, says Aelina Kapoor.
